Acoustic Guitar

Excellent piece in the August edition of Acoustic Guitar Magazine, written by Lee Zimmerman:

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Uncut UK

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The Shopkeeper - Twangville review

Twangville - August 17, 2017

Here at Twangville we spend pretty much all our time listening to and reviewing the latest Americana and roots music.  We spend very little time talking about how it gets created in the first place, and how the music industry makes a living from genres that don’t attract the business machine that feeds, and feeds on, the likes of U2 or Taylor Swift.  As everyone knows, though, the ubiquity of streaming has changed the economics of being a musician and it has the potential to really change what comes out of your earbuds and Bluetooth speakers.  Musician Rain Perry has turned her creative talents to movie making and is releasing a film on August 21st about these changes titled The Shopkeeper.

Read the rest here.


Rain Perry - The Shopkeeper (Film Review)

Rich Barnard, Red Guitar Music August 8, 2017

Anyone who’s ever financed the recording of their own album will know that there are certain things that really ought to matter, and The Shopkeeper is a stark reminder of those things.  People matter.  Can you think of an app that can replicate the relationships between songwriter, musician, producer and engineer?  Thought not.  Places matter.  Can you imagine The Beatles without Abbey Road?  Nope, neither can I.  Things matter.  If you’re making an album, why wouldn’t you want to make it into a something you can hold in your hands?  Musicians today find themselves in a world where people, places and things appear to all matter a little less than they once did and The Shopkeeper pushes us, ever so gently, to consider the consequences.

Singer songwriter Rain Perry's debut documentary is essentially the biography of veteran musician, engineer and producer Mark Hallman and the history of the Congress House studio, which he runs in Austin, Texas.  Woven through it is the discussion at the film's core: how can independent musicians continue to make a living in a world where music has become something consumers no longer pay for?

Read the rest here.


Morton Report - The Shopkeeper

by Jeff Burger

July 25, 2017

The Shopkeeper (film). Austin, Texas-based singer/songwriter Rain Perry turns to filmmaking to document the challenges musicians face in the era of streaming, downloads, and file trading. Her jumping-off point is the story of Mark Hallman and his struggling Congress House, Austin’s oldest continually operating recording studio, whose clients have included David Byrne, Janis Ian, and Nanci Griffith, to name a few. The film features lots of artists who love the Congress House and Hallman’s approach to music-making, including Ani DiFranco, Charlie Faye, Eliza Gilkyson, Jon Dee Graham, Andrew Hardin, Iain Matthews, and the great Tom Russell. Portions of this feel rather like a home movie that might be of more interest to the participants than to the general public. Still, the film has a lot of heart and asks thought-provoking, important questions that should matter to anyone who cares about the future of music and musicians. (For info about the film, which will be released on DVD on August 21, visit The Shopkeeper.)

 


No Depression on The Shopkeeper

by Frank Gutch Jr.
July 22, 2017

[This was originally written for and posted on Bob Segarini's site, Don't Believe a Word I Say. The plan was to write a piece for DBAWIS and a later one for No Depression, but as I read the original I struggled to find a better way to say what had already been written. Still, I think this documentary (The Shopkeeper) needs to be written about and reviewed on any number of sites relating to music and/or documentaries. So here it is, pretty much as it appeared in my column a few weeks ago.]

Let us start:

You can file this one under “and I thought I knew something.” I just watched a documentary which starts “When I was a kid, music was everything,” a statement as acute to me as author Scott Turow‘s line “It suddenly hit me how much I missed music for which I once felt a yearning as keen as hunger.” It struck a note so deep in me that I watched all one-hour-and-thirty-one minutes feeling a kinship with the narrator (and, as it turns out, producer of the film), almost relieved that I was not alone.

For years, those of us who have been labeled eccentric if not practically insane for our love of music have suffered somewhat alone, though some of us found others to share our illness— years of alone time hiding behind headphones and stereo systems and speaking musicspeak consisting of lines from songs, facts, and opinions other people neither understood nor wanted to while isolating ourselves in a world every bit as fantastic as Dungeons and Dragons or Hobbitville. I lost three loves to that world, one lady complaining that I loved records more than I loved her, all stemming from my inability to walk past a record store without paying a visit. The first line of my biography should also be “when I was a kid, music was everything” for beyond the love I felt for my family and friends, it was.

But this wasn’t me. This was someone who felt like me, loved music like me, but took it one step further. This was Rain Perry, who felt the urge to put her music on record, music which had developed to the point that it burst from her, three albums worth, and who, realizing finally that music had become a black hole when it came to money, deferred to film. Backed up against the wall, she wanted to tell a story and, looking around for a defined topic, decided that that story was not hers but that of the musicians she had recorded with and met at Congress House Studio in Austin, Texas. Mainly one musician:Mark Hallman. Hallman, you see, a seasoned musician and veteran of a plethora of bands by the time he came to Congress House, had taken in a mob of like-minded misfits over the years to record or to help record or just mix music for our ears. Well, not misfits, but people who fit there better than anywhere else maybe. Rain Perry was one.

Read the rest here.


Austin Shopkeeper Premiere in Austin Chronlicle

A great article about John Doe and a good reference to the Austin Premiere of The Shopkeeper!

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For three and a half decades, songwriters have been telling their stories through Congress House Studio, Austin's oldest continually operating recording facility. In new documentary The Shopkeeper, singer Rain Perry utilizes the recording facility and its workmanlike audio mystic Mark Hallman to dialogue about studios struggling to survive in the streaming age.

"Grandma's house meets world-class recording studio," is how musician Donna Lynn Caskey characterizes the SoCo compound.

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How Did I Get Here interview

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Listen to Johnny Goudie's interview with Rain about the upcoming Austin Premiere of The Shopkeeper on the always-entertaining podcast "How Did I Get Here?"

Click this link!


Rain at the Movies

Chris Jay - VC Reporter - June 9. 2016

https://www.vcreporter.com/2016/06/09/rain-at-the-movies/

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The multitalented Rain Perry has been a fixture in the art, culture and music community for years. The Ojai singer and songwriter has released multiple records, sung the theme song for a national TV show, made an appearance on that same show, written and performed a play based on her own childhood, and played host to countless songwriting workshops, classes and house concerts.

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Rain Perry on "The Shopkeeper"

by Pam Baumgardner - VenturaRocks.com

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Ojai musician singer/songwriter Rain Perry’s foray into filmmaking has resulted in a thought provoking, fascinating look at the music industry and how it has evolved the past fifty years. The film highlights the career of musician/producer Mark Hallman of Congress House Studio out of Austin, Texas. To make the film, Perry teamed up with Micah Van Hove, Director of Photography, who taught her invaluable lessons on filmmaking. Perry was able to produce the film as a result of a successful Indiegogo campaign.

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The Shopkeeper

Everybody can make a record.
Nobody can make a living.
Now what?
A film by Rain Perry
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